The Shadow Diamond Cable, was love at first sight and one centered on all parts would be more than sufficient I thought. I have long wanted to test making a curved hem so I gave the sweater an A-line shape so that the bottom part would hang perfectly. I decided to begin with a provisional cast-on so that I could add an I-cord bind off all along the bottom at the end. The round neck has a thin garter stitch band, and there is a garter stitch edge in each side of the body. Of course it needed a cowl with the cable knitted on one side. The body of the sweater is knitted flat, while the sleeves and the cowl are knitted in the round. A fine tweed yarn, Pickles Merino Tweed, is held together with an alpaca lace yarn, Du Store Alpakka, Dreamline Soul to create a fabric with a beautiful stitch definition and a slight halo. I plan to publish the pattern in Norwegian on Ravelry in February, and the English pattern after test knitting in my group late next spring.
The inside of the sleeves have the same garter stitch panel as the sides of the body. You can glimpse it in the top photo. The unevenness of the yarn mixture does make the I-cord slightly uneven as you can see in the photo above. Parts of the yarn was generously sponsored by Du Store Alpakka. Oydis is a Norse name and means the Goddess of Good Luck, which I felt was very fitting especially when the sweater is worn with the cowl.
The set is knitted using a 4 mm/US 6 with a gauge of 20 stitches and 30 rows in stocking stitches measuring 10 cm/4″. It will be available in sizes XS to 2XL with a finished bust circumference of 84 to 126 cm/33 to 49.5″, and length of 74 to 79 cm/29.25 to 31″. The cowl is knitted in the rounds and the ends are joined using mattress stitches, but you could easily choose a provisional cast-on and graft if you prefer.
The inside of the cowl is knitted in a rib but with garter stitches for folding so that it stays flat. It can be worn hanging loose or twice around the neck with the rib visible. All these photos are taken of me by my husband on our terrace in October just before the professional photo shoot.
I had no stylist available to tell me to pull the sweater down nor fold the cowl more neatly in the photo above, so I apologize. The stylist is usually me, magnifiscently assisted by hair & make up artist Sissel Fylling and whenever possible editor Mary-Ann Astrup. As you can imagine I had a very difficult time choosing among the professional photos taken by Eivind Røhne of Alexandria Eissinger on the other hand, and ended up with 7 fantastic photos, I am looking forward to showing you after I have presented all the new designs.